Ceramics

Shaped by hand and then fired at high temperature, ceramic bears the trace of the maker's hand throughout. This collection brings together vases, candle holders, catchall trays and cachepots, from small pieces set on a shelf to tall ones that stand on their own.

Rivage, Stone and Wabi

The same name recurs from one object to the next: each family is a distinct way of working the clay, carried across several pieces and several sizes. Staying within a single family creates a calm ensemble. Mixing two families works too, as long as you keep one dominant color.

Composing with heights

Heights range from about ten centimeters to over thirty-five. The eye likes clear contrasts: pair a large vase, a mid-size model and a small piece, rather than three similar volumes that cancel each other out. On a narrow console, a single tall vase is enough and lets the surface breathe.

Living with the material

Ceramic needs only a soft cloth and a little lukewarm water: no abrasive powder or scouring pad, which would mark the surface. A heavy vase is best set on a discreet pad when the furniture is waxed wood. Empty and dry the inside before putting a piece away at the end of the season.

Frequently asked questions

What vase height should I choose?

Start with the stem you want to put in it: the flower should rise above the neck by about half the height of the vase. On a dining table, stay under twenty-five centimeters so as not to block sight lines.

Why are no two pieces from the same series ever identical?

Because handwork leaves slight irregularities in surface and shade. It is the signature of the material, not a flaw.

Is a ceramic catchall suitable for the bathroom?

Yes, for holding jewelry, a watch or a dry bar of soap. Wipe it from time to time: standing moisture eventually dulls every material.