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A mirror transforms a room without adding bulk: it reflects light back and opens up a perspective where there is only a wall. These new arrivals fall into two families of shapes: the organic outline with free-flowing edges, and the more architectural arc.
A mirror with free-flowing edges, close to a pebble or a leaf, breaks the rigor of a room's straight lines. It belongs on a bare wall, with nothing around it, because its silhouette already fills the space. In a room crowded with frames and shelves, this shape gets lost: give it a stretch of wall all to itself.
The half-moon evokes an opening and pairs well with low furniture. Above a console, a sideboard or a fireplace, it echoes the horizontal line of the top and holds the composition together. Choose a mirror narrower than the furniture, so the eye sees the curve first, then the piece that carries it.
A mirror shows what faces it, and that is where everything is decided. Place it opposite a window, a painted wall or a light fixture, never facing a dark hallway or a closed door. In an entryway, a reflection centered about 1.6 meters from the floor suits most uses.
In a narrow hallway, a mirror taller than it is wide lengthens the perspective without getting in the way. Above a piece of furniture, stay under the width of the top.
The silhouette works very well there, provided you measure the actual space around the sink. The dimensions of each model are given on its product page.
A barely damp microfiber cloth, followed by a dry wipe, is enough. Spray the cleaner onto the cloth rather than onto the glass, so nothing seeps to the edges.
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